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Bach Bibliography Search Result |
Series : ^$Your search has generated the following results ...
Year : 2012
Max number of results shown : 300
Output sorted : serially \(table\)
| Type | List | Author  | Title[further info  ] | Series | Vol | No | Year | Pages | Status |
|---|---|---|---|---|---|---|---|---|---|
 | 1. | Ankauf der Musikbibliothek Peters geplant. | |||||||
| | 2. | Musikbibliothek Peters: Ein kulturhistorischer Schatz für Leipzig | |||||||
| | 3. | Hoffman, William | Bach and Mahler. | ||||||
| | 4. | Braatz, Thomas | Documentary Evidence Revealing the Contemporary Performance Practices For Bach's Organo (Basso Continuo) Parts. | ||||||
| | 5. | Braatz, Thomas | [Mattheson on OVPP/OPPP.] Johann Mattheson's Stated Requirements for the Group of Musicians Performing Figural Music in Large Churches | ||||||
 | 6. | Rãdulescu, Antigona | Johann Sebastian Bach. | ||||||
| | 7. | Garcia, Ricardo Lopes | Les origines de la fugue BWV 1005: Une influence inédite, directe ou indirecte, de Frescobaldi dans l'œuvre de J.-S. Bach: Argumentation | ||||||
| | 8. | Glöckner, Andreas | Is there another cantata cycle by Gottfried Heinrich Stölzel that belonged to Bach’s performance repertoire? | ||||||
| | 9. | Braatz, Thomas (ed.) | The Rules Established for the Thomasschule by a Noble and Very Wise Leipzig City Council - Printed by Bernhard Christoph Breitkopf Leipzig, 1733 - Original German Text. | ||||||
| | 10. | Braatz, Thomas | The Problematical Origins of the 'Generalbaßlehre of 1738'. | ||||||
| | 11. | Braatz, Thomas (trans.) | The Rules Established for the Thomasschule by a Noble and Very Wise Leipzig City Council - Printed by Bernhard Christoph Breitkopf Leipzig, 1733 - English Translation. | ||||||
| | 12. | Braatz, Thomas | Bach's Bells - Mors certa, hora incerta. | ||||||
| | 13. | Braatz, Thomas | J.S. Bach: Orgelbüchlein, Köthen, after 1720? | ||||||
| | 14. | Borkent, Ria | Matteüs Passie: Een poëtische hertaling. | 100p | |||||
 | 15. | Peterson, William J. | Saint-Saëns's improvisations on the organ (1862). | 102-108 | |||||
| | 16. | Bagnasco, Federico | KontraBach: percorso storico-musicale di un binomio possibile, note attorno al rapporto tra il contrabbasso e la musica di Bach. | 124p | |||||
| | 17. | Rosar, Inge | Problems and chance: Performing the keyboard works of J.S. Bach on the modern piano. | 13-28 | |||||
| | 18. | Ziekow, Arne (ed.) | Kantaten! Das Bachsche Kantatenwerk an der Kaiser-Wilhelm-Gedächtnis-Kirche in Berlin. | 144p | |||||
  | 19. | Dentler, Hans-Eberhard (ed.) | Musicalisches Opfer / Johann Sebastian Bach. | 166p | |||||
| | 20. | Yamazaki, Takashi | Bach 'Inventions to Sinfonia': Enso to Shido no Pointo. | 167p | |||||
| | 21. | Kušnarëv, Hristofor Stepanoviè | Programma kursa H.S. Kušnareva 'Polifoniâ Baha': Dve versii—dve èpohi. | 175p | |||||
| | 22. | Garcia Moyano, Conchita | Johann Sebastian Bach: Una Vida Para La Musica. | 176p | |||||
| | 23. | Weixler, Bettina | Johann Sebastian Bach in der rezeptiven Musiktherapie. | 177-190 | |||||
| | 24. | Schanz, Artur | Vom Himmel hoch: J. S. Bachs Choralbearbeitungen für Orgel in der Übertragung für Klavier. | 180p | |||||
| | 25. | Schlüter, Ann-Helena | Die Goldberg Variationen von Johann Sebastian Bach in der Bearbeitung von Josef Rheinberger und Max Reger: Eine Vergleichsstudie. | 197p | |||||
| | 26. | Eckersley, Dominic | The Rosetta Revisited: Bach's Very Ordinary Temperament. | 21p | |||||
| | 27. | Näher, Sabine | Singen zur Ehre Gottes: Thomaner erinnern sich. | 224p | |||||
| | 28. | Vizzacarro, Federico | La Messa in si minore di Johann Sebastian Bach. | 224p | |||||
| | 29. | Heinemann, Michael | Beethoven, Czerny und das 'Wohltemperierte Klavier'. | 225-231 | |||||
| | 30. | Moosbach, Carola | Bereitet die Wege: poetische Kommentare zu Bachs geistlichen Kantaten. | 227p | |||||
| | 31. | Elferen, Isabella van | Gothic music: The sounds of the uncanny. | 229p | |||||
| | 32. | Hennion, Antoine | Music and mediation: Toward a new sociology of music. | 249-260 | |||||
| | 33. | Alembert, Jean Le Rond d' | Rameau shi no Genri ni motozuku Ongaku Riron to Jissen no Kiso. | 272p | |||||
| | 34. | Stens, Oliver | Der vertonte Tod: eine praktisch-theologische Untersuchung der Kantaten Johann Sebastian Bachs zum Thema Tod und Sterben. | 277p | |||||
| | 35. | Vâzkova, Elena Vasil'evna | O smysle v polifoniceskoj muzyke. | 3-19 | |||||
| | 36. | Duval, Laurent | L'orgue: Ce méconnu. | 305p | |||||
| | 37. | Bartelmus, Rüdiger | Theologische Klangrede - Musikalische Resonanzen auf biblische Texte: Studien zu Werken von J.S. Bach, J. Brahms, G.F. Händel, F. Mendelssohn-Bartholdy, und E. Pepping sowie zu Textdichtungen von Ch. Jennens, T. Morell und J. Schubring. | 312p | |||||
| | 38. | Hoppstock, Tilman | Die Lautenwerke Bachs aus der Sicht des Gitarristen. Vol. 2 - BWV 998/999/1000. | 335p | |||||
| | 39. | Hoppstock, Tilman | Bach's Lute Works from the Guitarist's Perspective. Vol. II: BWV 998/999/1000. | 335p | |||||
| | 40. | Drywa, Gottfried Thore | Auf der Suche nach der göttlichen Ästhetik: J. S. Bachs Passacaglia BWV 582 zwischen Hölle und Himmel. | 339p | |||||
| | 41. | Zwitser, Marcel S. | Göttliche Liebes=Flamme: De lutherse leer van de Heilige Geest en haar invloud op Johann Sebastian Bach. | 344p | |||||
| | 42. | Bertoglio, Chiara | Instructive Editions and Piano Performance Practice: A Case Study. Bach's Well-Tempered Clavier in Italy between 19th and 20th Century. | 364p | |||||
| | 43. | Siblin, Eric | Les suites pour violoncelle seul: En quête d'un chef-d'oeuvre baroque. | 369p | |||||
| | 44. | Maul, Michael | 'Dero berühmbter Chor'. Die Leipziger Thomasschule und ihre Kantoren 1212-1804. | 434p | |||||
| | 45. | Wiese, Kerstin; Wollny, Peter | Bach, Bibel, Gesangbuch: [Kabinettausstellung im Bach-Museum Leipzig vom 10. Mai bis 29. Juli 2012] | 43p | |||||
| | 46. | Kubota, Keiichi (ed.) | Bach Keyword Jiten. | 465p | |||||
| | 47. | Hübner, Maria | Netzwerk Thomanerchor = The St. Thomas Choir network. | 47p | |||||
| | 48. | Elie, Paul | Reinventing Bach. | 498p | |||||
| | 49. | Bellenberg, Karl | J. S. Bach: Die Kunst der Fuge. | 55p | |||||
| | 50. | Karnova, I. S. (ed.) | Iogann Sebast'jan Bach. | 590p | |||||
| | 51. | Petermann, Emily | The concept of time implied by the theme and variations form: Novels based on Bach’s Goldberg variations. | 61-71 | |||||
| | 52. | Beißwenger, Kirsten; Suzuki, Masato; Suzuki, Masaaki (eds.) | Singet dem Herrn ein neues Lied ; BWV 190: Kantate zum Neujahrstag für Soli (ATB), Chor (SATB) 3 Trompeten, Pauken, 3 Oboen, (1 Oboe d'amore), Fagott, 2 Violinen, Vila und Basso continuo / Johann Sebastian Bach. | 63p | |||||
| | 53. | Musketa, Konstanze; Barth, Christiane | Musikstadt Halle: Führer durch die Ausstellung im Wilhelm-Friedemann-Bach-Haus Halle. | 64p | |||||
| | 54. | Mellace, Raffaele | Johann Sebastian Bach. Le cantate. | 784p | |||||
| | 55. | Bachfest Görlitz-Zgorzelec 7. bis 16. 9. 2012: unser Bach verbindet ; 87. Bachfest der Neuen Bachgesellschaft ; Programmheft. | 78p | ||||||
| | 56. | Franków-¯elazny, Agnieszka | Motety Johanna Sebastiana Bacha BWV 225-230 w aspekcie wykonawczym. | 96p | |||||
| | 57. | Leaver, Robin A. | Sekkyosha to shite no J. S. Bach. | 99p | |||||
| | 58. | Hoyer, Michael | Unbefangene Beobachtungen an Bachs Weihnachtsoratorium. | 99p | |||||
| | 59. | Greene, David B. | The Spirituality of Mozart's Mass in C Minor, Bach's Mass in B Minor, and Messiaen's Quartet for the End of Time: When Hearing Sacred Music is Relating to God. | ii, 124p. | |||||
| | 60. | Dirst, Matthew | Engaging Bach: The Keyboard Legacy from Marpurg to Mendelssohn. | viii, 186p | |||||
| | 61. | Tilitzki, Christian | Die Albertus-Universität Königsberg: Ihre Geschichte von der Reichsgründung bis zum Untergang der Provinz Ostpreußen (1871-1945). Band 1: 1871-1918. | x, 813p | |||||
| | 62. | Grychtolik, Alexander Ferdinand (ed.) | Köthener Trauermusik: Klagt, Kinder, klagt es aller Welt, für Soli, Chor und Orchester, BWV 244a (Gesamtrekonstruktion) / Johann Sebastian Bach. | xiii, 154p | |||||
| | 63. | Sherman, Laura (arr.) | Lute suites, BWV 997: Suite in C minor / Johann Sebastian Bach. | xiii, 22p | |||||
| | 64. | Eatock, Colin | Remembering Glenn Gould: Twenty interviews with people who knew him. | xv, 189p | |||||
| | 65. | Hofmann, Klaus (ed.) | Matthäus-Passion: BWV 244 ; für Soli, zwei vierstimmige Chöre, Soprano in ripieno und zwei Orchester / Johann Sebastian Bach. | xv, 280p | |||||
| | 66. | Larson, Paul | Bach for a hundred years: A social history of the Bach Choir of Bethlehem. | xxi, 243p | |||||
| | 67. | Paulsmeier, Karin | Notationskunde: 17. und 18. Jahrhundert. | xxiv, 433p | |||||
| | 68. | Wolff, Christoph; Zepf, Markus | The organs of J.S. Bach: A handbook. | xxv, 208p |